Showing posts with label Edition 1: Our Private Literature 2009. Show all posts
Showing posts with label Edition 1: Our Private Literature 2009. Show all posts

Guilty


by Victor Thoudam

In a winter night dream,
Many frozen pieces of ice was
Muffled under my blanket
My scorch was aching,
I was awoken from the surreal.

And a naked of pauses psyched in my head.
Unbelievably believed in the horror of the decapitated body
That was Corpse beside my bed
The banner on the chest was written…
"FOR NO REASON, FOR HE WANTS TO SPEAK THE TRUTH"

My hands were intimidated to
Lift the smashed head
To know whose mutilated body it was
And felt a bloody wretch in my stomach
From the bloody smell of blood
Then I grasp the head and put it up on the light
I have never seen him or known him before…
Why didn’t I see him or know him before?
I asked myself.
And I never felt guilty about it.
And I never felt guilty about it
And I felt guilty for not being a millionaire

My bullet desire never ceased
It never eclipsed and it always grew mightier
than the bullet, than the roars of thunder

Daily Insanity


by Soibam Haripriya

Morning began
with the anticipated
surprise of daily deaths
Afternoon's a stroll
to an ocean without a
shore where broken
boats of hope row away
in little ripples
With dusk
the drunken poets came
Afflicted by a strange epidemic of optimism
brought forth by bouts of nostalgia
When the insipid evening
arrived like a hermit with vows
of poverty I find insomniac soul
gazing wistfully at the end
of a graceful coil of a rope

A Death of My Own


by Soibam Haripriya

Of all the things
I wish to own
I wish my death
To be my own
A quiet dignity Of privacy
Not a grainy picture in a newspaper
Not a being
ripped from a warm cocoon
Not a mere body trespassed in life
trespassed beyond life
I wish not for the raging flames
to engulf me into ashes

I wish
a piece of earth
to provide me solace in its honeyed chest
To undo the poison
This life has fed
For a flower of red
To bloom
From my navel
And a drop of dew
To adorn its petals

For the wind to play
amongst my branches
And carry in its trail
Tales of my brimming passion
For a lover to pluck my flowers
And embellish the beloved
With my petals
With my scent
With this
You will infuse my death
with life again

To My Comrades


by Shreema Ningombam

The world would not stop being beautiful
After you and I are long gone
Isn’t it lovely?
The scorching taunting sun
The soothing platonic moon And Ah! This land
Yours and mine
Where we all belong
You and I
I know why you smile
I know why you cry
I know why you scream
Even when no word comes from your lips
My heart talks to yours
You and I carry different flags
But we know
Our mom had made them for us
To wave in the wind
In the thunder
In the dual roots of the rainbow
Comrades! I take this path And you the other
Hand in hand
Or Sword to sword at this day
But I promise I will meet you there
And I will be with you that day!

Ema (Mother)


by Shreema Ningombam

You were everywhere,
Yet I searched for you.
In the places of Carnivals,
In the deepest of woods,
In between the locked horns of the wilds,
Among the cries of the flags,
Among the phantoms of the nights.

I came home. I found you.
In the nearest corner of my heart,
Peeping behind the curtain of my mind,
Playing with the music of my soul,
Beating the drum of my pulse,

Dyeing the crimson of my blood,
Swimming in the breath of my life.
Some says you are a witch.
Some says you are an angel.
They say you are damned.
They say you are divine.
I came home,
To salvage your grave,
Where I found,
The skull of my ancestor,

The naophum of my ancestral kin,
A torn phanek stained with her primeval blood,
An old chest that opens,
With the faint smell of ancient breathes.
Tonight I light the light of my heart.
Prostrate in this vast graveyard,
With pride or with guilt I do not know,

Should I carry another mortal being in my womb,
I a nameless mother wait and wait,
To mourn the death of my yet unborn.

Burma, Embrace Me Please


by Akhu Chingangbam

Burma, if you have a heart
Embrace me please
I have stopped looking at my own shoes
Now I look beyond these lofty mountains
I see nothing in them except a handful of useless dust
I stop looking towards west
To me it is all just a waste
I stop leaning on India
Delhi crushed me among its sky scrapers and dtc buses
Mumbai left me stranded in the railway tracks
Bangalore didn't let me smoke at my own will
Kolkata has too much of mouth revolution.
Tamilnadu is still mourning for Prabhakaran
Madhy Pradesh is still a nightmare after bhopal gas tragedy
Gujarat is for Modi and his fundamentalism
Pune is for Marathis
And we have been the n%ggers of India;
Read Pacha

Burma if you need a lover
That's me
Embrace me
kiss me please
Let me spread my wings in your poppy field
Let me sail in your smallest river with all my songs
Let me cry out all the tear that I save in this punctured heart
Let me sh%t out what I have eaten
I have eaten what have not grown in my land
I ate hilsha from Barak River
I ate wheat that grows in Uttarpradesh
I slept on the mattress that was made in Delhi
I sang Guthrie and Pete Seeger
I wear VIPs
I drank 8pm of Haryana at 8am in morning
I danced in the song of Indian Ocean
I climbed the Western Ghats with Iranians
I smoked the dry leaves of Manali
I watched both Hollywood and Bollywood movies
And still I was my own man standing alone
Singing "Ema Nangumbi Leite"
Now, I can't praise my land with my poverty
Now I need a new land
That can erase my appetite and memories
And Burma that's you
You are the closest.

Burma, let me see your prison
And makes me feel I suffer less
Less than your outlaws and criminals
I was told you dump your criminals in a Polang
Like chickens in Chingmeirong Bazaar
Burma, embrace me
Let me wear that bamboo hat
Like famers that farm everything
You will not regret to be my lover
No great poets write a line for your Tamu
And cheap sex inside your wooden cabin.
But I do, if you don't believe me
Look at e-pao.net
You will find me whistling singing
Like my favorite gay poet;
"Go f%ck yourself with your AFSPA"
Along the Indo-Myanmar border.

Burma, Just give me a shelter
You are the closest to me.
Let me measure the angles of Golden Triangle
Let me smack cocaine, let me smell you
Let me bleed out all this blood
That this heart churns breathing oxygen
That comes out from death and all these fake revolution.

I will pretend I love no monks
And their recent movement
Except the seven year old monk
And its bitterness
I even joke "monks evolve from monkeys
So they have the same color
Like gods evolve from dogs
So they are omnipresent"
I even hate U2's song on Aung Sang Su kyi
I don't know what the freedom fighters do in your Jungles
I haven't heard about a hero of guerrilla warfare
Who emerges from your jungle.
But I know what I can do with myself
If you provide me a shelter and a guitar
A blank page and a poppy flower
Burma, just embrace me
You will find me very fine

On the Fire


by Rojio Usham

On the fire, I walk.
Beneath the rain, I cry.
Under the hailstones, I survive.
In the thunder, I howl.
Throughout the storm, I fly.
Below the star, we hide.
In the dark, I search my way.
All through the frozen winter, I swim.
Encircled by testosterone soldiers,
We encircle thabal chongba.
Under the moon, they rape.
Under the sun, they kill.

Dreamland


by R.K. Brojen

In the land of dreamers
death men and women are walking
counting the days of the wars
to find their new days of a new
world. They have straight faces
and walk straight finding their own ways.
They look at each other straight.
They think straight.
They speak straight.
But they are death statues
walking on the ways of complicated darkness.
Within the colourless rays of the selfish
Sun they don’t know their own colour.

If somebody stabs them they don’t feel the pain
because it has been habituated to them. They don’t even know
the colour of their own blood. (Don’t say they are dead, they will get angry. )
They don’t realize the difference between life and death.
The sky covering them is meaningless.
Beneath them they lost their own footprints on their ways
could not be seen and followed them by the others.
For every new battles
the wombs of the experienced mothers
are the training centres of the unborn soldiers.
But the wombs usually burst into pieces
by the kicks of the babies inside.
So, the soldiers die unborn
in the Gynae wards of the hospitals.
The death bodies of the soldiers
will be found scattered and un-cremated
in the morgues of the hospitals
or fields or bushes or mountains.
The mothers die on the beds
or roads or markets
before they see their babies born.
The death mothers wake up
it the middle of the darkened night
and running all the ways possible
holding the burning bamboo lamp
following the falling stars from the sky.
Looking at the death faces of the stars
she is asking about her lost babies
that she has never seen.
Then they stitch their own wombs to give birth
those soldiers again. In the land of dreamers
life and death have the same meaning and same story.

Euthanasia


by Raju Athokpam

your firm hand and fierce eye
and I see the black hole where the gun
barks on my dusty-sweat-coated forehead
this tear-stained eye
longs for yet another moment with
you in this hell

your hygienic hand and your motherly look
with that tranquilizer on that syringe
on my veins, to relax me
down this exhausted soul
wants to cuddle you for the
warmth in this heaven

right or wrong
for good or for bad
you are the one who kill
suffering is my other name
that you have made me
then again you pity my miserable life
and you mercy kill me
amongst you even fought who to mercy kill me

with your gun’s little hole
you advice the trigger
and you become my birth-master
your gun is all-in-one tool for you
you use it everywhere
even to gain a grain of rice your gun is your
strongest drug makes you forget everything
even the consciousness of being alive
well, enough of euphemism
I said euthanasia means ‘shoot yourself’.

Half Human*


by Laishram  Ratan

No horns on the head
No furs on the body
No tooth to bite
No claws to cut
Nonetheless
They’re the ones
Who snatched away from the bosom
Child of the innocent mother
Who robbed away
Honour of the pure virgin.
Yes
There’s an animal
Sure, it has a name
The name is half human.

(* Translated from Manipuri by Homen Thangjam, published in Sangai Express, August 30, 2009)

Drought!


by Jayanta Oinam

Something didn’t quite die
It continues to live, day after day
Asking questions and raising million mutinies;
Perhaps, I was still there
At her doorsteps, waiting for an answer
Or may be,
I am unto myself, alone in the grave, waiting
For a resurrection!

That day,
She returned home late, and
Brought home a fiend mask, and
Said, somebody plant her a bastard for the occasion
So that, she be accepted a ceremonial bride for the occupation

That day,
She returned home, and
The lore continues and my morning toil ceased;
They said its drought!
That day stood evident for her lost fertility
From that day, my grave was my home And everyday,
I stood at her doorstep asking for the answer!

I Didn't Grow Up Properly

by Jayanta Oinam

I didn’t grow up properly
I had numerous infatuations, and they slapped me
For every slogan I shouted
They said, I disturbed their agenda, and they slapped me
For who I was?

The first age, I was obsessed with guns
The tender age of seven eight nine, I didn’t know
How they all went, smoked, with billows from the barrels
And somebody hid his second hand gun beneath my pillow
And I thought I deserve a try, whichever direction it fires
The sound was bustling and the next morning
I had my first slap in the face.

Mama wanted me to behave and grow tall
The gunshot was forgotten and I became a darling
And my grandpa called me Gandhi, he said
I obey and can write difficult names for invitation
For marriage and obituaries,
Spellings of names I couldn’t pronounce, and
Nonnative spellings of words from occupation

Then, my first long pant came uninvited
Something tickled me, I was a lousy connoisseur
Wanted to taste the bud, flowers and nectar
Bees and buzzes, thus I got my second slap

I didn’t know the reason.
And I know, I didn’t grow up properly
But happy was me, with all the slaps
They said, I deserve them, for the following
To be a good man, one day, to live a good man!

Anyway, I was growing that very way, for that way
But a single slap, I couldn’t agree with, and
The chilled morning, the chilled bone
The expensive fare, the back bench
The tuition, the examination
The dream, my parents
And the slap
This is loose
But the slap was the humiliation
It mortified my being and the dreams gone sour
But I still don’t understand why he slapped me
Early in the morning,

To a boy who was going for few lessons
On Physics and Chemistry;
I still don’t know who was he and he was waiting for me
Early in the morning
I still don’t know had he got any kid of my age
Going to school and waking up early for an extra class
I still don’t know, how many he would have slapped
I still don’t know, had they all went kept quiet
Like me for all these years

I still don’t know, how many kids deserve the slap
Yes, I didn't grow up properly
In the land of million mutinies,
My land, my land
Spare those kids
They are innocent
They are dreams, and
Someday, they will sing songs for you and your valour
But, for every single slap, my land
You lose a son, you wreak a dream
With every slap, you destroy a family
With every slap, you create an outlaw
So, spare those kids
They are innocent.

Yes, I didn’t grow up properly
In my land, and today
I am in exile, weaving a dream for a land
Earning a few pennies, to grow a farm
Full of innocent dreams and
Create a my own land

Where kids can wake up early and go to school
Without any fear of slaps and checking drills
Where kids can learn lessons on best of sciences and poems
Without worrying about strikes and bandhs!

A Star for Breakfast

by Homen Thangjam

In a land not so far away....
Err, well, in my land of birth
Where nine hills form a levee around a valley
Every morning rulers have
Human beings for breakfast
Wear around their necks skulls
To ward off evil spirits as necklaces
Absurdity is the reigning reason
Weeping wails are laughter

Death shadows are dances
Laments are hymns
Elegies are lullabies
Prisoners are freemen

Peasants till the land with bare hands
Blood waters the crops
And we harvest sorrow in the month of Poinu.
I met my old friend last night Dirty old friend!
In a house of the prostitutes, while
Bargaining over a nipple ring and
A pair of size? 48 brassieres

We drank to our health, talked about
Epidemic, earthquake, flood, drought and
The breakfast rulers have, nearly choked
On our drinks as we recalled how

The Southern Chief nearly choked
On toes of the foetus in the womb as he
Gorged the mother, promised
Not to miss the live telecast of
The next breakfast, we'll
Sing standing up staccato
For amusement, as usual
Notes of national anthem as they eat, ruefully I expressed how much

I envied their meals
My friend lowered his voice, lest
The walls heard his newfound secret, said
He picked up a star the previous night, from
The lane of empty desire in
The barren street of hope

Kept it under his pillow and slept, had
The star for breakfast in the morning.

For Long Spear Long Gone

by D.A. Sadokpam

In this unending duel for sanitized half truths
She tells him his poems are pointedly political
In this fierce battle for expressions wild and tamed
He tells him his stories are unduly romantic.

If you ever had a sweet and ripe duologue With
the flaming Ernesto’s spirit on the wall You
would continue to heed his prudent words
Writ crystal circled by gory war, love and deaths.

Tell me, you listen intently to your own tribulations
And think of the many things you had dreaded
And I will fathom and give you hundred reasons
That is sure personal, social and political.

The imageries of blood ties and constructed kinship
That erects political milestones over the green fields
Forgetting will never ever be forgetting
But a reluctant attempt at not remembering.

Call him the rebel sword,
call him the romantic spear
He was set to saddle on the battalion’s swift ponies
Heading for the terrain of the wild teaks and green olives
Not to fight the enemy in fatigue caps but to sow the seed.

He had an objective to lead the fight and be true
For enduring love, for rare sanity and for dignified life
And she inks the personal lines for the long spear
To recall and enliven his love for political perspicacity.

Our Private Literature First Edition, 2009

Our Private Literature First Edition 2009 is a collection of fifteen poems by a group of young Manipuri poets who are collectively known as Anonymous Fireflies. They are engaged in writing poetry, music and plays of their homeland which has lost its meaning among the smoking guns, dead bodies, burning effigies, etc.

Most of the poems in this edition were written post 23 July fake encounter at BT Road in Imphal. This group has been trying to express the angst of a generation, which is often trampled upon and silenced by the current turmoil in Manipur.


Printed and bound in New Delhi by Burning Voices
Read the poems here, which were published in this issue